This collection is complete.

Poems in Trespasses Forgive Us are numbered and published beginning from one. There are 59 in total.

Red Ribbon | Dirt | Apollo's | Old Gossip | Vegas Lights - October 1st, 2017 | Dinner | The Walk | Watch | Nothing Will Take You | Canyon Deep | Typeface | Asked | Desert | Bright | Stat | Honored | Jesus Cole | Walls | Abraham of Paha Sapa | Abraham the Ruin | Sacrifice Moses | Hear Tell | News | Metis Eats | Class | Trails | Feather | Fair Ground | Choices | Sodom And | Blooming Cross | Flag | Exhibit | Ghost Worship - November 5th, 2017 | Tis of Thee | From | 40 | Born Here | Glimpses | Left Over | Come Down | Seasoning | Baucis and Philemon, Again | Captain | Buses | Fontanelle | Poetry | Chosen Separate | Glimmer | Stars | Shine | Rituals | Language | Arabesque | Grand | Da-Nah-Wah'uwsdi | Blankets | Industry | A Number

To experience the collection sequentially, you should begin from poem number 1: Red Ribbon

Trespasses Forgive Us Joshua Hannum Trespasses Forgive Us Joshua Hannum

05: Vegas Lights - October 1, 2017

The Route 91 Harvest music festival was interrupted on the evening of Oct 1st, 2017 when a 64-year-old man fired more than 1,000 rounds into the audience from his 32nd floor suites at the Mandalay Bay hotel. He killed 60 people and injured 411 with his bullets; the injury total ballooned to 867 with panic factored in. His arsenal: 14 AR-15 rifles (12 with 100 round magazines); 8 AR-10-type rifles; 1 bolt action rifle; 1 revolver. He hung ‘Do Not Disturb’ signs on his doors before he began.

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Trespasses Forgive Us Joshua Hannum Trespasses Forgive Us Joshua Hannum

09: Nothing Will Take You

This is a photograph in an album. It is of a field at nighttime. The individuals in the photograph are out of focus. There is a blinding light behind them. The field is tall grass. We have such a necessity for speculation and conspiracy that it sets the ease for which a picture is interpreted, or represented. The media’s touch, not just the news, but the entire world of media enters our lives like the floodlight in this picture-field, beautifully or tragically washing us out, compromising our experiences, and igniting our imagination.

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