53: Language
1.
I cannot blame; my aggression
is my own.
Picture: where my youth has starved his
skin lies like a sheet over rocks. The sacrum
protrudes
like a baby elephant's head. A cross: triangle
of tented flesh. When I bathe him,
the clavicle
holds water at his neck. Arms, like rope, I pray
he uses them: might his mind grapple heavens; might
his braided arms raise him up. If you
have seen his picture,
my starving child -
any
starving
youth
and you have not been moved
to weep, you are to weak
to be a soldier of God's gentle hands. Cry for these things. And
do not sing
to me of malnutrition; speak
to me of food; when you are full and thirsty
find the picture
and be baptized.
2.
She makes me feel hurt, this mother.
She made me do this. He has created me this way.
That makes me sad.
Listen how you give your power away. Nothing
ever, will make you. Everything begins
within.
I feel hurt from this. I did this. I am created. I am sorrow. You
are born within: own your feeling. Cross the desert within,
flee to the wilderness within. It will
take you forty days - but this yoke is easy. Find
the picture of a starving
child, see me dying. Make yourself right. Feed me
love
until I burst. I want
you to feel this wash over you; I want you
to feel how we break; see how much
of pain is the burning picture of soul,
melting frames; of tearing: the soft hilted collapse of his muscle,
the edged breath of his lungs,
come home to
the sheath of
my heart.
3.
In my village
there
was
a great tree. Slowly the right
trunk took to shrinking: leathered
like an old hand. Leaves fell crisp and golden, green too. The left
trunk
went shortly; after the
counterpoint
- it wept. This great being
relinquished sugared sap, began
to lay itself
open and down, found repose
and
erupted as
the air pinched finger
and thumb, pressure and snap; How
magnificent
to be living to see the life in dying. My son,
so calm;
my daughter, so new,
patiently withers
like an ancient tree. My leaf, so long there, then not. I give
my sugared sap, find repose.
Our great being expresses
the moment of life and death in profound harmonies.
4.
At the school dance
those sideline legs will snap
their fingers to a song as though
born without ears; some will dance organically, heaven sent,
they should not
be so rare;
we are meant as quiet audience
simply to serve,
feel life's dictatorial vibration until
we bathe and drip in its hum
and the voice no longer whispers; it
breaks us in two with a word, scattering
us into trails of evaporated wars.